{"id":33935,"date":"2026-03-04T20:49:00","date_gmt":"2026-03-04T19:49:00","guid":{"rendered":"https:\/\/www.univ-djelfa.dz\/?p=33935"},"modified":"2026-03-29T18:55:12","modified_gmt":"2026-03-29T17:55:12","slug":"national-seminar-onsite-online-titled-cultural-criticism-and-aesthetic-deconstruction-in-contemporary-maghreb-literature","status":"publish","type":"post","link":"https:\/\/www.univ-djelfa.dz\/?p=33935","title":{"rendered":"National Seminar Onsite \/ Online titled: \u201cCultural Criticism and Aesthetic Deconstruction in Contemporary Maghreb Literature\u201d"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"33935\" class=\"elementor elementor-33935\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-dc3fa0c elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-sticky-section-no\" data-id=\"dc3fa0c\" data-element_type=\"section\" data-settings=\"{&quot;ekit_has_onepagescroll_dot&quot;:&quot;yes&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3ce818f exad-sticky-section-no\" data-id=\"3ce818f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b6dfe42 exad-sticky-section-no elementor-widget elementor-widget-html\" data-id=\"b6dfe42\" data-element_type=\"widget\" data-settings=\"{&quot;ekit_we_effect_on&quot;:&quot;none&quot;}\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<link href=\"https:\/\/fonts.googleapis.com\/css2?family=Cairo:wght@400;600;700;900&display=swap\" rel=\"stylesheet\">\n\n<div class=\"art-conference-wrapper\" dir=\"ltr\">\n    <header class=\"art-header\">\n        <div class=\"art-top-line\"><\/div>\n        <div class=\"art-dept-info\">\n            <h1>Faculty of Letters, Languages and Arts<\/h1>\n            <h3>Department of Arabic Language<\/h3>\n        <\/div>\n        <div class=\"art-badge\">National Conference In-Person \/ Online<\/div>\n        <h2 class=\"art-main-title\">\n            Titled: \"Cultural Criticism and Aesthetic Deconstruction in Contemporary Maghreb Literature\"\n            <br>\n            <span class=\"art-subtitle\">_Comparisons of Social Discourse Representations between Novel and Theatre_<\/span>\n        <\/h2>\n    <\/header>\n\n    <div class=\"art-info-bar\">\n        <div class=\"art-info-item\">\n            <span class=\"art-icon\">\ud83d\udcc5<\/span>\n            <div class=\"art-text\">\n                <label>Conference Dates<\/label>\n                <strong>06 \/ 07 April 2026<\/strong>\n            <\/div>\n        <\/div>\n        <div class=\"art-info-item\">\n            <span class=\"art-icon\">\ud83c\udf93<\/span>\n            <div class=\"art-text\">\n                <label>Conference Chair<\/label>\n                <strong>Prof. Dr. Azeddine Zahra<\/strong>\n            <\/div>\n        <\/div>\n    <\/div>\n\n    <div class=\"art-action-area\">\n        <div class=\"btn-group\">\n            <a href=\"https:\/\/www.univ-djelfa.dz\/wp-content\/uploads\/cri2026.pdf\" class=\"art-btn download-btn\" target=\"_blank\">\n                <span class=\"btn-icon\">\ud83d\udcc4<\/span>\n                Download Full Program (PDF)\n            <\/a>\n        <\/div>\n    <\/div>\n\n    <section class=\"art-section\">\n        <h3 class=\"art-section-title\">Conference Preface<\/h3>\n        <div class=\"art-content-box\">\n            <p>Contemporary Maghreb literature, in all its narrative and theatrical forms, constitutes a rich laboratory for the intersection of cultural and aesthetic discourses, and a fertile field for questioning social and symbolic awareness in light of the transformations experienced by Maghreb societies in recent decades. With literary criticism opening up to cultural approaches and deconstructive readings, the literary text is no longer merely a linguistic or aesthetic construct but has become a space for interaction between systems of thought, power, and meaning, as well as between aesthetics and social and cultural representations.<\/p>\n            <p>The relationship between cultural criticism and aesthetic deconstruction allows a new approach to literary texts, going beyond traditional boundaries between aesthetic analysis and ideological interpretation, revealing the complex nature of literary discourse as both an intellectual and aesthetic practice. From this perspective, this scientific conference aims to uncover the interactions between cultural criticism and aesthetic deconstruction in analyzing Maghreb literature and exploring how the novel and theatre represent social discourse, serving as critical spaces reflecting transformations of collective consciousness, questions of identity, power, and meaning.<\/p>\n            <p>The conference also seeks to highlight the role of literature in interrogating the symbolic and cultural structures that govern social action, and analyzing transformations in literary aesthetics in light of contemporary critical approaches, including cultural criticism, deconstruction, and semiotics. This multidimensional approach enables the development of modern critical visions linking aesthetic depth and cultural analysis, aiming to read Maghreb novels and theatre texts from a perspective aligned with the evolution of contemporary Arab literary and critical thought.<\/p>\n        <\/div>\n    <\/section>\n\n    <section class=\"art-section art-bg-light\">\n        <h3 class=\"art-section-title\">Conference Problem Statement<\/h3>\n        <div class=\"art-content-box problem-box\">\n            <p><strong>#Observation<\/strong> Contemporary Maghreb literary criticism is undergoing profound transformations with its openness to cultural and deconstructive approaches, which have re-examined the relationship between literature and society, and between beauty and meaning. Critical reading has gone beyond traditional structural and aesthetic analysis to question the text as a cultural practice revealing the implicit symbolic structures within social and political discourse. In this context, the intersection of cultural criticism and aesthetic deconstruction emerges as a new horizon for understanding Maghreb novelistic and theatrical texts as spaces producing and reshaping meaning within a network of values, powers, and conflicting significations.<\/p>\n            \n            <div class=\"question-highlight\">\n                <strong>Hence, the central question of this conference is:<\/strong>\n                <p>How can an approach combining cultural criticism and aesthetic deconstruction reveal representations of social discourse in contemporary Maghreb literature, particularly in the novel and theatre? To what extent does this interaction between the aesthetic and cultural dimensions contribute to redefining the function of literature and its role in interrogating identity, power, and meaning within the modern Maghreb context?<\/p>\n            <\/div>\n        <\/div>\n    <\/section>\n\n    <footer class=\"art-footer\">\n        University of Djelfa - Faculty of Letters, Languages and Arts \u00a9 2026\n    <\/footer>\n<\/div>\n\n<style>\n    \/* CSS \u0645\u0637\u0627\u0628\u0642 \u0644\u0644\u0646\u0633\u062e\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u062a\u0645\u0627\u0645\u0627 *\/\n    .art-conference-wrapper {\n        font-family: 'Cairo', sans-serif;\n        background: #fff;\n        max-width: 950px;\n        margin: 20px auto;\n        border: 1px solid #e2e8f0;\n        line-height: 1.8;\n        color: #1f2937;\n    }\n\n    .art-header { text-align: center; padding: 40px 20px; background: #fffcf9; position: relative; }\n    .art-top-line { height: 6px; background: #e67e22; 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