{"id":35107,"date":"2026-06-18T17:48:23","date_gmt":"2026-06-18T16:48:23","guid":{"rendered":"https:\/\/www.univ-djelfa.dz\/?p=35107"},"modified":"2026-06-24T09:31:04","modified_gmt":"2026-06-24T08:31:04","slug":"national-seminar-on-attention-engineering-in-literary-and-cinematic-narratives","status":"publish","type":"post","link":"https:\/\/www.univ-djelfa.dz\/?p=35107","title":{"rendered":"National Seminar on: Attention Engineering in Literary and Cinematic Narratives"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"35107\" class=\"elementor elementor-35107\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-3836e2f elementor-section-boxed elementor-section-height-default elementor-section-height-default exad-sticky-section-no\" data-id=\"3836e2f\" data-element_type=\"section\" 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flex-direction: column; gap: 10px; align-items: center; }\n        .wpc-event-page .event-section { padding: 25px 15px; }\n        .wpc-event-page .styled-list { grid-template-columns: 1fr; }\n        .wpc-event-page .action-buttons { flex-direction: column; }\n        .wpc-event-page .countdown-box { min-width: 75px; padding: 10px 15px; }\n        .wpc-event-page .countdown-number { font-size: 1.9rem; }\n    }\n<\/style>\n\n<!-- D\u00e9but du conteneur isol\u00e9 de l'\u00e9v\u00e9nement -->\n<div class=\"wpc-event-page\">\n    <div class=\"container\">\n\n        <div class=\"event-header\">\n            <h1>University of Djelfa<\/h1>\n            <h2>Faculty of Letters, Languages and Arts<\/h2>\n            <p style=\"font-size: 1.2rem; opacity: 0.9; color: white;\">Organizes the National Seminar entitled:<\/p>\n            <div class=\"event-title\">The Engineering of Attention in Literary and Cinematographic Narrative<\/div>\n            \n            <div class=\"meta-info\">\n                <div class=\"meta-item\">\ud83d\udcc5 Date: November 03 - 04, 2026<\/div>\n                <div class=\"meta-item\">\ud83d\udc64 Seminar Chair: Dr. Fatiha El Agab<\/div>\n            <\/div>\n\n            <div class=\"action-buttons\">\n                <a href=\"https:\/\/www.univ-djelfa.dz\/wp-content\/uploads\/brochures2.pdf\" download=\"\" class=\"btn btn-primary\">\n                    \ud83d\udce5 Download Brochure (PDF)\n                <\/a>\n            <\/div>\n        <\/div>\n\n        <div class=\"countdown-section\">\n            <h3>\u23f3 Time remaining until the launch of the national seminar<\/h3>\n            <div class=\"countdown-wrapper\" id=\"countdown-wrapper\">\n                <div class=\"countdown-box\">\n                    <span class=\"countdown-number\" id=\"days\">00<\/span>\n                    <span class=\"countdown-label\">Days<\/span>\n                <\/div>\n                <div class=\"countdown-box\">\n                    <span class=\"countdown-number\" id=\"hours\">00<\/span>\n                    <span class=\"countdown-label\">Hours<\/span>\n                <\/div>\n                <div class=\"countdown-box\">\n                    <span class=\"countdown-number\" id=\"minutes\">00<\/span>\n                    <span class=\"countdown-label\">Minutes<\/span>\n                <\/div>\n                <div class=\"countdown-box\">\n                    <span class=\"countdown-number\" id=\"seconds\">00<\/span>\n                    <span class=\"countdown-label\">Seconds<\/span>\n                <\/div>\n            <\/div>\n        <\/div>\n\n        <div class=\"event-section\" id=\"preamble\">\n            <h2 class=\"section-title\">Concept Note<\/h2>\n            <p class=\"lead\">\n                Contemporary research has witnessed a remarkable shift in the study of literary and cinematographic narratives. Meaning is no longer perceived as a fixed content within the text or image, but rather as the result of complex cognitive processes related to directing the receiver's attention. In this light, this seminar proposes the concept of \"attention engineering\" as an analytical framework aimed at understanding how narrative is constructed through the organization of what is shown, concealed, or deferred, whether in literary language or in the cinematographic image. It aims to rethink the relationship between narrative and meaning from a new cognitive perspective that makes attention a structural element in the production of meaning.\n            <\/p>\n        <\/div>\n\n        <div class=\"event-section\" id=\"problematic\">\n            <h2 class=\"section-title\">Problem Statement<\/h2>\n            <div class=\"problematic-box\">\n                <p style=\"margin: 0;\">\n                    How is meaning reconfigured in literary and cinematographic narratives through precise mechanisms of attention orientation? In what way does meaning, far from being a pre-established datum in the text or image, become the product of a \"cognitive engineering\" that controls what is seen, neglected, or deferred within the narrative experience?\n                <\/p>\n            <\/div>\n        <\/div>\n\n        <div class=\"event-section\" id=\"goals\">\n            <h2 class=\"section-title\">Objectives<\/h2>\n            <ul class=\"styled-list\">\n                <li>Unveil the mechanisms of attention orientation in the construction of literary and cinematographic narratives.<\/li>\n                <li>Rethink the concept of meaning as a cognitive product rather than a fixed structure.<\/li>\n                <li>Analyze the techniques of showing, concealing, and deferring in the production of meaning.<\/li>\n                <li>Link language and the cinematographic image as attention management systems.<\/li>\n                <li>Explore the relationship between cognitive processes and the reception of narrative discourse.<\/li>\n                <li>Highlight the role of the receiver in constructing and reconfiguring meaning.<\/li>\n                <li>Envisage new perspectives for analyzing literary texts and films through the lens of attention engineering.<\/li>\n            <\/ul>\n        <\/div>\n\n        <div class=\"event-section\" id=\"axes\">\n            <h2 class=\"section-title\">Seminar Themes<\/h2>\n            <div class=\"axes-grid\">\n                <div class=\"axis-card\">\n                    <h3>1. Attention and Narrative Structure<\/h3>\n                    <p>Narrative construction through the distribution of attention in diegetic time, and the centrality or marginality of the event in shaping meaning.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>2. Orientation Techniques in Literary Narrative<\/h3>\n                    <p>Fronting, postponing, ellipsis, repetition, and rhetoric viewed as cognitive management rather than mere linguistic ornament.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>3. Attention in Cinematographic Narrative<\/h3>\n                    <p>The camera's role in directing the gaze, as well as editing, lighting, and sound as key attention mechanisms.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>4. Attention and Meaning Production<\/h3>\n                    <p>Meaning viewed as the result of a cognitive choice, transforming attention into the main vector of significance.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>5. Cognitive Narratology and Attention Engineering<\/h3>\n                    <p>Cognitive approaches in narrative analysis, and the contribution of cognitive sciences to understanding the construction of meaning.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>6. The Receiver and Attention Strategies<\/h3>\n                    <p>Dynamics of reception, reconstruction of significance, and the interaction between receiver expectations and narrative trajectories.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>7. Attention in Digital and Interactive Media<\/h3>\n                    <p>Digital storytelling, narrative games, and the role of digital platforms in reconfiguring attention.<\/p>\n                <\/div>\n                <div class=\"axis-card\">\n                    <h3>8. Applied Studies in Literature and Cinema<\/h3>\n                    <p>Critical readings of fictional texts, analyses of films and series, and comparative studies between literary and visual narratives.<\/p>\n                <\/div>\n            <\/div>\n        <\/div>\n\n        <div class=\"event-section\" id=\"supervision\">\n            <h2 class=\"section-title\">National Seminar Supervision Committee<\/h2>\n            <div class=\"supervision-wrapper\">\n                <div class=\"team-top-tier\">\n                    <div class=\"team-section\" style=\"flex: 1; max-width: 400px;\">\n                        <h4>Honorary Chair<\/h4>\n                        <p><strong>Prof. El Hadj Ailam<\/strong><small>Rector of the University of Djelfa<\/small><\/p>\n                    <\/div>\n                    <div class=\"team-section\" style=\"flex: 1; max-width: 400px;\">\n                        <h4>General Supervisor<\/h4>\n                        <p><strong>Prof. Issa Lakhdari<\/strong><small>Dean of the Faculty of Letters, Languages and Arts<\/small><\/p>\n                    <\/div>\n                <\/div>\n                <div class=\"team-grid\">\n                    <div class=\"team-section\">\n                        <h4>General Coordinator<\/h4>\n                        <p><strong>Prof. Ahmed Brahimi<\/strong><small>Head of the Arabic Language and Literature Department<\/small><\/p>\n                    <\/div>\n                    <div class=\"team-section\">\n                        <h4>Seminar Chair<\/h4>\n                        <p><strong>Dr. Fatiha El Agab<\/strong><\/p>\n                    <\/div>\n                    <div class=\"team-section\">\n                        <h4>Scientific Committee (Chair)<\/h4>\n                        <p><strong>Dr. El Hafnaoui Bouzekri<\/strong><br><strong>Dr. Abderrezak Zitouni<\/strong><\/p>\n                    <\/div>\n                    <div class=\"team-section\">\n                        <h4>Organizing Committee (Chair)<\/h4>\n                        <p><strong>Dr. Ennaas Saidani<\/strong><br><strong>Dr. Djamel Regab<\/strong><\/p>\n                    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>\n\n        <div class=\"event-section\" id=\"conditions\">\n            <h2 class=\"section-title\">Submission Guidelines<\/h2>\n            <ul class=\"styled-list\">\n                <li>The paper must strictly fall under one of the seminar's themes.<\/li>\n                <li>Researchers must send an abstract of around 500 words along with the full paper, presenting a clear problem statement.<\/li>\n                <li>The length of the research paper must be between 12 and 20 pages maximum.<\/li>\n                <li>The work must be original, unpublished, and must not have been previously presented at any academic event (seminar or conference).<\/li>\n                <li>The text must be clearly written using the Cairo font, respecting academic formatting standards.<\/li>\n                <li>The research must adopt an endnote system with sequentially numbered notes.<\/li>\n                <li>The researcher must provide their phone number, academic rank, institutional affiliation, and chosen theme.<\/li>\n            <\/ul>\n        <\/div>\n\n        <div class=\"dates-container\" id=\"dates-contact\">\n            <h2 class=\"section-title\">Important Dates & Correspondence<\/h2>\n            <div class=\"important-dates\">\n                <div class=\"date-box\">\n                    <strong>August 15, 2026<\/strong>\n                    <span>Deadline for receiving full papers<\/span>\n                <\/div>\n                <div class=\"date-box\">\n                    <strong>August 20, 2026<\/strong>\n                    <span>Notification of acceptance and sending invitations<\/span>\n                <\/div>\n                <div class=\"date-box\">\n                    <strong>Nov 03 - 04, 2026<\/strong>\n                    <span>Seminar duration<\/span>\n                <\/div>\n            <\/div>\n            \n            <div class=\"contact-section\">\n                <p style=\"font-size: 1.2rem; margin-bottom: 20px; color: white;\">Proposals and correspondence should be sent to the following email address:<\/p>\n                <div class=\"action-buttons\" style=\"margin-top: 0;\">\n                    <a href=\"mailto:bahthacademi25@gmail.com\" class=\"btn btn-outline\">\u2709\ufe0f bahthacademi25@gmail.com<\/a>\n                    <a href=\"https:\/\/www.univ-djelfa.dz\/wp-content\/uploads\/brochures2.pdf\" download=\"\" class=\"btn btn-primary\">\ud83d\udce5 Download Brochure<\/a>\n                <\/div>\n            <\/div>\n        <\/div>\n\n    <\/div>\n<\/div>\n\n<script>\n    (function() {\n        const eventDate = new Date(\"Nov 3, 2026 09:00:00\").getTime();\n\n        const countdownInterval = setInterval(function() {\n            const now = new Date().getTime();\n            const difference = eventDate - now;\n\n            const days = Math.floor(difference \/ (1000 * 60 * 60 * 24));\n            const hours = Math.floor((difference % (1000 * 60 * 60 * 24)) \/ (1000 * 60 * 60));\n            const minutes = Math.floor((difference % (1000 * 60 * 60)) \/ (1000 * 60));\n            const seconds = Math.floor((difference % (1000 * 60)) \/ 1000);\n\n            const daysEl = document.getElementById(\"days\");\n            const hoursEl = document.getElementById(\"hours\");\n            const minutesEl = document.getElementById(\"minutes\");\n            const secondsEl = document.getElementById(\"seconds\");\n\n            if(daysEl) daysEl.innerHTML = days.toString().padStart(2, '0');\n            if(hoursEl) hoursEl.innerHTML = hours.toString().padStart(2, '0');\n            if(minutesEl) minutesEl.innerHTML = minutes.toString().padStart(2, '0');\n            if(secondsEl) secondsEl.innerHTML = seconds.toString().padStart(2, '0');\n\n            if (difference < 0) {\n                clearInterval(countdownInterval);\n                const wrapper = document.getElementById(\"countdown-wrapper\");\n                if(wrapper) {\n                    wrapper.innerHTML = \"<div class='event-started'>\u2728 Welcome! The national seminar activities have started. \u2728<\/div>\";\n                }\n            }\n        }, 1000);\n    })();\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>University of Djelfa Faculty of Letters, Languages and Arts Organizes the National Seminar entitled: The Engineering of Attention in Literary and Cinematographic Narrative \ud83d\udcc5 Date: November 03 &#8211; 04, 2026 \ud83d\udc64 Seminar Chair: Dr. Fatiha El Agab \ud83d\udce5 Download Brochure (PDF) \u23f3 Time remaining until the launch of the national seminar 00 Days 00 Hours&#8230;<\/p>\n","protected":false},"author":2,"featured_media":35086,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"normal","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[324],"tags":[],"class_list":["post-35107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scientific-events"],"lang":"en","translations":{"en":35107,"fr":35105,"ar":34907},"pll_sync_post":[],"_links":{"self":[{"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/posts\/35107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35107"}],"version-history":[{"count":4,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/posts\/35107\/revisions"}],"predecessor-version":[{"id":35115,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/posts\/35107\/revisions\/35115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=\/wp\/v2\/media\/35086"}],"wp:attachment":[{"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.univ-djelfa.dz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}